Aying by Four Tet cover art

30s preview

Key
10A · B minor
BPM
163
Half-time
82
Open Key
3m
Energy
88/100
Pop
4/100
Length
4:57
Released
1999
Album
Misnomer
Genre
Downtempo
Label
Not On Label (Four Tet Self-Released)
Loudness
-8.5 dB
Dynamics
16.4 dB
ISRC
GBXNG0699102

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Aying: very fast downtempo, B minor (10A), 163 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 1999 production that still circulates in sets. Hotter than 92% of Four Tet's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 92% of Four Tet's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood54Balanced
Groove47
Acoustic2
Instrumental8
Live37
Speech25

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Aying in?

Aying by Four Tet is in B minor, or 10A on the Camelot wheel.

What BPM is Aying?

Aying runs at 163 BPM, a very fast track.

What mixes well with Aying?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Aying good for peak time?

With energy 88 out of 100 at 163 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 163 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 153-173 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 163 — beatmatch without a big tempo pull.

#Track

More downtempo

More from Four Tet

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 163 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track