Mi Otra Mitad by Kintar cover art

Mi Otra Mitad

Kintar

30s preview

Key
9A · E minor
BPM
164
Half-time
82
Open Key
2m
Energy
89/100
Pop
15/100
Length
5:14
Released
2025
Album
Te Vas A Quemar
Genre
House
Label
Go Deeva Classy Records
Loudness
-7.1 dB
Dynamics
14.3 dB
ISRC
ITSV22500042

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 164 BPM in E minor (9A), Mi Otra Mitad is a very fast house production. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 99% of Kintar's catalogue. For programming, treat it as a high-intensity peak cut.

Groove:
less groove-driven than 96% of Kintar's catalogue
Reach:
better known than 93% of Kintar's catalogue
Low end:
more treble-tilted than 93% of Kintar's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood19Dark
Groove60
Acoustic0
Instrumental78
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Mi Otra Mitad in?

Mi Otra Mitad by Kintar is in E minor, or 9A on the Camelot wheel.

What BPM is Mi Otra Mitad?

Mi Otra Mitad runs at 164 BPM, a very fast track.

What mixes well with Mi Otra Mitad?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Mi Otra Mitad good for peak time?

With energy 89 out of 100 at 164 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 164 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 164 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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