Come True
- BPM
- 160
- Half-time
- 80
- Open Key
- 6m
- Energy
- 70/100
- Pop
- 2/100
- Length
- 2:56
- Released
- 2014
- Genre
- Tech House
- Label
- Rimrock Records
- Loudness
- -4.7 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Come True is a very fast tech house track in A♭ minor (1A) at 160 BPM. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Faster than 96% of Fisher's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 79% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come True in?
Come True by Fisher is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Come True?
Come True runs at 160 BPM, a very fast track.
What mixes well with Come True?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Come True good for peak time?
With energy 70 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 160 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More tech house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
