Face Down by ACRAZE cover art

Face Down

ACRAZE

30s preview

Key
8A · A minor
BPM
155
Half-time
78
Open Key
1m
Energy
71/100
Pop
22/100
Length
2:07
Released
2019
Genre
House
Loudness
-4.7 dB
Dynamics
13.1 dB
ISRC
QZK6P1944548
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Face Down is a fast house track in A minor (8A) at 155 BPM. It reads as dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 96% of ACRAZE's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 96% of ACRAZE's catalogue
Low end:
more treble-tilted than 79% of ACRAZE's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood31Dark
Groove67
Acoustic1
Instrumental0
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Face Down in?

Face Down by ACRAZE is in A minor, or 8A on the Camelot wheel.

What BPM is Face Down?

Face Down runs at 155 BPM, a fast track.

What mixes well with Face Down?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Face Down good for peak time?

With energy 71 out of 100 at 155 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 155 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 155 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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