Monologue
- Key
- 8B · C major
- BPM
- 155
- Half-time
- 78
- Open Key
- 1d
- Energy
- 96/100
- Pop
- 25/100
- Length
- 3:16
- Released
- 2010
- Genre
- Deep House
- Label
- Affin
- Loudness
- -2.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Monologue: fast deep house, C major (8B), 155 BPM. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Hotter than 97% of YokoO's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 95% of YokoO's catalogue
- Groove:
- less groove-driven than 89% of YokoO's catalogue
- Reach:
- better known than 89% of YokoO's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Monologue in?
Monologue by YokoO is in C major, or 8B on the Camelot wheel.
What BPM is Monologue?
Monologue runs at 155 BPM, a fast track.
What mixes well with Monologue?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Monologue good for peak time?
With energy 96 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 155 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More deep house
More from YokoO
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
