She’s Gone, Dance On (Hamdi Remix)
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 7d
- Energy
- 93/100
- Pop
- 36/100
- Length
- 3:00
- Released
- 2024
- Genre
- House
- Loudness
- -5.1 dB
- Dynamics
- 9.5 dB
- ISRC
- USA2P2434264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She’s Gone, Dance On (Carlita Remix)remix1A · 131
- She’s Gone, Dance Onoriginal1A · 134
- She’s Gone, Dance On (Todd Edwards Remix)remix12A · 134
- She’s Gone, Dance Onoriginal12A · 134
- She’s Gone, Dance On (Live From The Mews)original12A · 116
Against the original (1A at 134 BPM), this version runs 26 BPM faster and moves the key from 1A to 2B.
At 160 BPM in F♯ major (2B), She’s Gone, Dance On (Hamdi Remix) is a very fast house production. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 96% of Disclosure's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 93% of Disclosure's catalogue
- Groove:
- less groove-driven than 90% of Disclosure's catalogue
- Reach:
- better known than 84% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is She’s Gone, Dance On (Hamdi Remix) in?
She’s Gone, Dance On (Hamdi Remix) by Disclosure is in F♯ major, or 2B on the Camelot wheel.
What BPM is She’s Gone, Dance On (Hamdi Remix)?
She’s Gone, Dance On (Hamdi Remix) runs at 160 BPM, a very fast track.
What mixes well with She’s Gone, Dance On (Hamdi Remix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is She’s Gone, Dance On (Hamdi Remix) good for peak time?
With energy 93 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 160 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
