She’s Gone, Dance On (Carlita Remix)
30s preview
- BPM
- 131
- Open Key
- 6m
- Energy
- 87/100
- Pop
- 53/100
- Length
- 3:34
- Released
- 2024
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 9.6 dB
- ISRC
- USA2P2434262
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She’s Gone, Dance On (Hamdi Remix)remix2B · 160
- She’s Gone, Dance Onoriginal1A · 134
- She’s Gone, Dance On (Todd Edwards Remix)remix12A · 134
- She’s Gone, Dance Onoriginal12A · 134
- She’s Gone, Dance On (Live From The Mews)original12A · 116
Against the original (1A at 134 BPM), this version runs 3 BPM slower in the same key.
She’s Gone, Dance On (Carlita Remix): peak-time tempo house, A♭ minor (1A), 131 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 94% of Disclosure's catalogue.
- Low end:
- more bass-heavy than 84% of Disclosure's catalogue
- Groove:
- less groove-driven than 79% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is She’s Gone, Dance On (Carlita Remix) in?
She’s Gone, Dance On (Carlita Remix) by Disclosure is in A♭ minor, or 1A on the Camelot wheel.
What BPM is She’s Gone, Dance On (Carlita Remix)?
She’s Gone, Dance On (Carlita Remix) runs at 131 BPM, a peak-time tempo track.
What mixes well with She’s Gone, Dance On (Carlita Remix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is She’s Gone, Dance On (Carlita Remix) good for peak time?
With energy 87 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 131 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
