Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix)
30s preview
- Key
- 4A · F minor
- BPM
- 131
- Open Key
- 9m
- Energy
- 86/100
- Pop
- 46/100
- Length
- 4:10
- Released
- 2022
- Genre
- Tech House
- Loudness
- -7.7 dB
- Dynamics
- 10.3 dB
- ISRC
- UK74K1400701
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Calling Out Your Name (I Can't Sleep)original9B · 128
- Calling Out Your Name (I Can't Sleep) - Extended Versionversion9B · 128
Against the original (9B at 128 BPM), this version runs 3 BPM faster and moves the key from 9B to 4A.
At 131 BPM in F minor (4A), Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix) is a peak-time tempo tech house production. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Ben Rau's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 89% of Ben Rau's catalogue
- Tempo:
- faster than 84% of Ben Rau's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix) in?
Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix) by Ben Rau is in F minor, or 4A on the Camelot wheel.
What BPM is Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix)?
Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix) runs at 131 BPM, a peak-time tempo track.
What mixes well with Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Calling Out Your Name (I Can't Sleep) (Oden & Fatzo remix) good for peak time?
With energy 86 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 131 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More tech house
More from Ben Rau
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
