She’s Gone, Dance On
- BPM
- 134
- Open Key
- 6m
- Energy
- 94/100
- Pop
- 33/100
- Length
- 3:46
- Released
- 2024
- Genre
- House
- Label
- DisOrder Records
- Loudness
- -5.7 dB
- ISRC
- USA2P2420377
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She’s Gone, Dance On (Carlita Remix)remix1A · 131
- She’s Gone, Dance On (Hamdi Remix)remix2B · 160
- She’s Gone, Dance On (Todd Edwards Remix)remix12A · 134
- She’s Gone, Dance Onoriginal12A · 134
- She’s Gone, Dance On (Live From The Mews)original12A · 116
At 134 BPM in A♭ minor (1A), She’s Gone, Dance On is a peak-time tempo house production. The mix is almost entirely instrumental. Hotter than 94% of Disclosure's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 90% of Disclosure's catalogue
- Reach:
- better known than 83% of Disclosure's catalogue
- Tempo:
- faster than 78% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is She’s Gone, Dance On in?
She’s Gone, Dance On by Disclosure is in A♭ minor, or 1A on the Camelot wheel.
What BPM is She’s Gone, Dance On?
She’s Gone, Dance On runs at 134 BPM, a peak-time tempo track.
What mixes well with She’s Gone, Dance On?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is She’s Gone, Dance On good for peak time?
With energy 94 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 134 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
