She’s Gone, Dance On
30s preview
- BPM
- 134
- Open Key
- 5m
- Energy
- 94/100
- Pop
- 29/100
- Length
- 3:47
- Released
- 2024
- Album
- She’s Gone, Dance On (Carlita Remix)
- Genre
- House
- Loudness
- -4.8 dB
- Dynamics
- 11.9 dB
- ISRC
- USA2P2420371
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She’s Gone, Dance On (Carlita Remix)remix1A · 131
- She’s Gone, Dance On (Hamdi Remix)remix2B · 160
- She’s Gone, Dance Onoriginal1A · 134
- She’s Gone, Dance On (Todd Edwards Remix)remix12A · 134
- She’s Gone, Dance On (Live From The Mews)original12A · 116
She’s Gone, Dance On is a peak-time tempo house track in D♭ minor (12A) at 134 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 96% of Disclosure's catalogue.
- Groove:
- less groove-driven than 91% of Disclosure's catalogue
- Low end:
- more treble-tilted than 84% of Disclosure's catalogue
- Tempo:
- faster than 78% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is She’s Gone, Dance On in?
She’s Gone, Dance On by Disclosure is in D♭ minor, or 12A on the Camelot wheel.
What BPM is She’s Gone, Dance On?
She’s Gone, Dance On runs at 134 BPM, a peak-time tempo track.
What mixes well with She’s Gone, Dance On?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is She’s Gone, Dance On good for peak time?
With energy 94 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 134 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
