Final Level
30s preview
- Key
- 8A · A minor
- BPM
- 135
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:29
- Released
- 2007
- Genre
- House
- Loudness
- -6.6 dB
- Dynamics
- 13.5 dB
- ISRC
- CAT390400205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Final Level: driving up-tempo house, A minor (8A), 135 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. More underground than 99% of Duke Dumont's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 97% of Duke Dumont's catalogue
- Tempo:
- faster than 96% of Duke Dumont's catalogue
- Energy:
- hotter than 95% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Final Level in?
Final Level by Duke Dumont is in A minor, or 8A on the Camelot wheel.
What BPM is Final Level?
Final Level runs at 135 BPM, a driving up-tempo track.
What mixes well with Final Level?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Final Level good for peak time?
With energy 94 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 135 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
