Summer Skies (Love To Cry) by Argy cover art

Summer Skies (Love To Cry)

Argy

30s preview

Key
7A · D minor
BPM
135
Open Key
12m
Energy
90/100
Pop
0/100
Length
2:35
Released
2025
Genre
Techno
Loudness
-5.6 dB
Dynamics
10.1 dB
ISRC
BEHP42500015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Summer Skies (Love To Cry) runs 135 BPM in D minor (7A), a driving up-tempo techno record. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Argy's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 95% of Argy's catalogue
Groove:
less groove-driven than 94% of Argy's catalogue
Low end:
more treble-tilted than 93% of Argy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood48Balanced
Groove58
Acoustic1
Instrumental1
Live14
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Summer Skies (Love To Cry) in?

Summer Skies (Love To Cry) by Argy is in D minor, or 7A on the Camelot wheel.

What BPM is Summer Skies (Love To Cry)?

Summer Skies (Love To Cry) runs at 135 BPM, a driving up-tempo track.

What mixes well with Summer Skies (Love To Cry)?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Summer Skies (Love To Cry) good for peak time?

With energy 90 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 135 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More techno

More from Argy

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track