Friday, I’m in Luv by Alan Fitzpatrick cover art

Friday, I’m in Luv

Alan Fitzpatrick

30s preview

Key
3A · B♭ minor
BPM
135
Open Key
8m
Energy
92/100
Pop
56/100
Length
2:26
Released
2025
Genre
Techno
Loudness
-5.2 dB
Dynamics
10.0 dB
ISRC
BCCNG2500033

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Friday, I’m in Luv: driving up-tempo techno, B♭ minor (3A), 135 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Alan Fitzpatrick's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 91% of Alan Fitzpatrick's catalogue
Low end:
more treble-tilted than 80% of Alan Fitzpatrick's catalogue
Tempo:
faster than 78% of Alan Fitzpatrick's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood68Bright
Groove63
Acoustic1
Instrumental0
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Friday, I’m in Luv in?

Friday, I’m in Luv by Alan Fitzpatrick is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Friday, I’m in Luv?

Friday, I’m in Luv runs at 135 BPM, a driving up-tempo track.

What mixes well with Friday, I’m in Luv?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Friday, I’m in Luv good for peak time?

With energy 92 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More techno

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track