Fucking Friday by Matthew Dekay cover art

Fucking Friday

Matthew Dekay

Key
7B · F major
BPM
135
Open Key
12d
Energy
92/100
Pop
0/100
Length
9:04
Released
2003
Genre
Progressive House
Loudness
-12.1 dB
ISRC
NLHR21500344

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Fucking Friday runs 135 BPM in F major (7B), a driving up-tempo progressive house record. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. More underground than 99% of Matthew Dekay's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 98% of Matthew Dekay's catalogue
Energy:
hotter than 85% of Matthew Dekay's catalogue
Groove:
less groove-driven than 79% of Matthew Dekay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood42Balanced
Groove70
Acoustic0
Instrumental89
Live4
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fucking Friday in?

Fucking Friday by Matthew Dekay is in F major, or 7B on the Camelot wheel.

What BPM is Fucking Friday?

Fucking Friday runs at 135 BPM, a driving up-tempo track.

What mixes well with Fucking Friday?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Fucking Friday good for peak time?

With energy 92 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 135 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More progressive house

#Track

More from Matthew Dekay

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track