Sidewindah (Interplanetary Criminal extended remix) by Gorgon City cover art

Sidewindah (Interplanetary Criminal extended remix)

Gorgon City

30s preview

Key
10A · B minor
BPM
135
Open Key
3m
Energy
92/100
Pop
0/100
Length
3:37
Released
2022
Genre
House
Loudness
-7.3 dB
Dynamics
16.5 dB
ISRC
US39N2203680

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11B at 127 BPM), this version runs 8 BPM faster and moves the key from 11B to 10A.

Sidewindah (Interplanetary Criminal extended remix) is a driving up-tempo house track in B minor (10A) at 135 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Gorgon City's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 94% of Gorgon City's catalogue
Energy:
hotter than 88% of Gorgon City's catalogue
Low end:
more treble-tilted than 81% of Gorgon City's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood41Balanced
Groove79
Acoustic0
Instrumental36
Live4
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Sidewindah (Interplanetary Criminal extended remix) in?

Sidewindah (Interplanetary Criminal extended remix) by Gorgon City is in B minor, or 10A on the Camelot wheel.

What BPM is Sidewindah (Interplanetary Criminal extended remix)?

Sidewindah (Interplanetary Criminal extended remix) runs at 135 BPM, a driving up-tempo track.

What mixes well with Sidewindah (Interplanetary Criminal extended remix)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Sidewindah (Interplanetary Criminal extended remix) good for peak time?

With energy 92 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More house

More from Gorgon City

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track