All That You Need (feat. Caroline Byrne)
30s preview
- BPM
- 128
- Open Key
- 7m
- Energy
- 93/100
- Pop
- 45/100
- Length
- 2:58
- Released
- 2024
- Genre
- House
- Loudness
- -4.4 dB
- Dynamics
- 10.6 dB
- ISRC
- GBUM72401679
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All That You Needoriginal2A · 128
A peak-time tempo house cut, All That You Need (feat. Caroline Byrne) sits in E♭ minor (2A) at 128 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of Gorgon City's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 90% of Gorgon City's catalogue
- Brightness:
- brighter than 82% of Gorgon City's catalogue
- Groove:
- less groove-driven than 77% of Gorgon City's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All That You Need (feat. Caroline Byrne) in?
All That You Need (feat. Caroline Byrne) by Gorgon City is in E♭ minor, or 2A on the Camelot wheel.
What BPM is All That You Need (feat. Caroline Byrne)?
All That You Need (feat. Caroline Byrne) runs at 128 BPM, a peak-time tempo track.
What mixes well with All That You Need (feat. Caroline Byrne)?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is All That You Need (feat. Caroline Byrne) good for peak time?
With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![Let My Brain Go - Len Faki Remix [Edit] by Len Faki cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5eabe361f7389f147272.webp){kind=small}
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Gorgon City
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
