Lost in a Moment
30s preview
- BPM
- 123
- Open Key
- 4d
- Energy
- 41/100
- Pop
- 34/100
- Length
- 10:08
- Released
- 2012
- Genre
- Deep House
- Label
- Innervisions
- Loudness
- -13.6 dB
- Dynamics
- 20.2 dB
- ISRC
- DEEC31200017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost In A Moment - Dixon Reworkremix11A · 123
Lost in a Moment: club-tempo deep house, A major (11B), 123 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2012 production that still circulates in sets. Calmer than 97% of Matthew Dekay's catalogue.
- Reach:
- better known than 95% of Matthew Dekay's catalogue
- Low end:
- more treble-tilted than 91% of Matthew Dekay's catalogue
- Brightness:
- darker than 79% of Matthew Dekay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Lost in a Moment in?
Lost in a Moment by Matthew Dekay is in A major, or 11B on the Camelot wheel.
What BPM is Lost in a Moment?
Lost in a Moment runs at 123 BPM, a club-tempo track.
What mixes well with Lost in a Moment?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Lost in a Moment good for peak time?
With energy 41 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 123 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Matthew Dekay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
