Run Away
- BPM
- 123
- Open Key
- 8m
- Energy
- 40/100
- Pop
- 8/100
- Length
- 4:10
- Released
- 2015
- Genre
- House
- Loudness
- -10.2 dB
- ISRC
- NLF711503337
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Run Away sits in B♭ minor (3A) at 123 BPM. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 98% of Marlon Hoffstadt's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 91% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Run Away in?
Run Away by Marlon Hoffstadt is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Run Away?
Run Away runs at 123 BPM, a club-tempo track.
What mixes well with Run Away?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Run Away good for peak time?
With energy 40 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
