Ink (Original Mix)
30s preview
- Key
- 9B · G major
- BPM
- 123
- Open Key
- 2d
- Energy
- 45/100
- Pop
- 0/100
- Length
- 7:22
- Released
- 2012
- Genre
- Deep House
- Loudness
- -11.3 dB
- Dynamics
- 13.9 dB
- ISRC
- DEKN60900376
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Ink (Original Mix) sits in G major (9B) at 123 BPM. The feel is balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More underground than 99% of Jan Blomqvist's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- brighter than 97% of Jan Blomqvist's catalogue
- Groove:
- groovier than 95% of Jan Blomqvist's catalogue
- Energy:
- calmer than 86% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Ink (Original Mix) in?
Ink (Original Mix) by Jan Blomqvist is in G major, or 9B on the Camelot wheel.
What BPM is Ink (Original Mix)?
Ink (Original Mix) runs at 123 BPM, a club-tempo track.
What mixes well with Ink (Original Mix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Ink (Original Mix) good for peak time?
With energy 45 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
