Slave to the String
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 46/100
- Pop
- 14/100
- Length
- 5:43
- Released
- 2022
- Genre
- Tech House
- Loudness
- -10.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Slave to the String runs 123 BPM in A minor (8A), a club-tempo tech house record. Tonally it lands bright and easy. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 93% of Lee Burridge's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 92% of Lee Burridge's catalogue
- Groove:
- groovier than 90% of Lee Burridge's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Slave to the String in?
Slave to the String by Lee Burridge is in A minor, or 8A on the Camelot wheel.
What BPM is Slave to the String?
Slave to the String runs at 123 BPM, a club-tempo track.
What mixes well with Slave to the String?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Slave to the String good for peak time?
With energy 46 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Lee Burridge
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
