Contra Bass (with Yamagucci)
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 49/100
- Pop
- 3/100
- Length
- 5:43
- Released
- 2022
- Genre
- House
- Loudness
- -15.1 dB
- Dynamics
- 17.2 dB
- ISRC
- QMDA72490388
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Contra Bass (with Yamagucci) runs 123 BPM in C major (8B), a club-tempo house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Calmer than 90% of Adam Ten's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 87% of Adam Ten's catalogue
- Brightness:
- darker than 86% of Adam Ten's catalogue
- Reach:
- more underground than 80% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Contra Bass (with Yamagucci) in?
Contra Bass (with Yamagucci) by Adam Ten is in C major, or 8B on the Camelot wheel.
What BPM is Contra Bass (with Yamagucci)?
Contra Bass (with Yamagucci) runs at 123 BPM, a club-tempo track.
What mixes well with Contra Bass (with Yamagucci)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Contra Bass (with Yamagucci) good for peak time?
With energy 49 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Less Is More (Original Mix] by Kobana cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/01e9c868b22b6ec1673a.webp){kind=small}
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Adam Ten
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
