Mita In Reverse
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 48/100
- Pop
- 0/100
- Length
- 6:22
- Released
- 2020
- Genre
- House
- Loudness
- -9.9 dB
- Dynamics
- 11.1 dB
- ISRC
- GB7NR2067702
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in B minor (10A), Mita In Reverse is a club-tempo house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Adam Ten's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 93% of Adam Ten's catalogue
- Low end:
- more bass-heavy than 79% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Mita In Reverse in?
Mita In Reverse by Adam Ten is in B minor, or 10A on the Camelot wheel.
What BPM is Mita In Reverse?
Mita In Reverse runs at 123 BPM, a club-tempo track.
What mixes well with Mita In Reverse?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Mita In Reverse good for peak time?
With energy 48 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Adam Ten
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
