Corrode
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2016
- Album
- Over Under
- Genre
- Tech House
- Loudness
- -14.2 dB
- Dynamics
- 27.6 dB
- ISRC
- UK7FL1400063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Corrode sits in B♭ minor (3A) at 123 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 28 dB). A 2016 production that still circulates in sets. More underground than 99% of Marino Canal's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 96% of Marino Canal's catalogue
- Energy:
- calmer than 94% of Marino Canal's catalogue
- Low end:
- more treble-tilted than 85% of Marino Canal's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Corrode in?
Corrode by Marino Canal is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Corrode?
Corrode runs at 123 BPM, a club-tempo track.
What mixes well with Corrode?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Corrode good for peak time?
With energy 44 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Marino Canal
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
