All I Ever Wanted by Marino Canal cover art

All I Ever Wanted

Marino Canal

30s preview

Key
7A · D minor
BPM
123
Open Key
12m
Energy
63/100
Pop
37/100
Length
6:32
Released
2022
Genre
Tech House
Loudness
-9.8 dB
Dynamics
9.6 dB
ISRC
CHC652200131

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

All I Ever Wanted is a club-tempo tech house track in D minor (7A) at 123 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 88% of Marino Canal's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 76% of Marino Canal's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood37Balanced
Groove78
Acoustic1
Instrumental79
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is All I Ever Wanted in?

All I Ever Wanted by Marino Canal is in D minor, or 7A on the Camelot wheel.

What BPM is All I Ever Wanted?

All I Ever Wanted runs at 123 BPM, a club-tempo track.

What mixes well with All I Ever Wanted?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is All I Ever Wanted good for peak time?

With energy 63 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 123 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Marino Canal

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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