Teardrop - Nina Divorce Remix
- BPM
- 123
- Open Key
- 8d
- Energy
- 36/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2013
- Album
- Teardrop - The Remixes
- Genre
- Tech House
- Loudness
- -14.3 dB
- ISRC
- DEQT51300022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Teardrop - Original Mixoriginal8A · 124
- Teardrop - Patty Kay Remixremix8B · 125
- Teardrop - Project 24 Remixremix8A · 83
- Teardrop - Reworkremix10B · 124
Against the original (8A at 124 BPM), this version runs 1 BPM slower and moves the key from 8A to 3B.
Teardrop - Nina Divorce Remix: club-tempo tech house, D♭ major (3B), 123 BPM. The feel is brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Darker than 99% of Tim Engelhardt's catalogue.
- Reach:
- more underground than 99% of Tim Engelhardt's catalogue
- Energy:
- calmer than 95% of Tim Engelhardt's catalogue
- Groove:
- groovier than 95% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Teardrop - Nina Divorce Remix in?
Teardrop - Nina Divorce Remix by Tim Engelhardt is in D♭ major, or 3B on the Camelot wheel.
What BPM is Teardrop - Nina Divorce Remix?
Teardrop - Nina Divorce Remix runs at 123 BPM, a club-tempo track.
What mixes well with Teardrop - Nina Divorce Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Teardrop - Nina Divorce Remix good for peak time?
With energy 36 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
