Teardrop - Patty Kay Remix
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 55/100
- Pop
- 0/100
- Length
- 8:19
- Released
- 2013
- Album
- Teardrop - The Remixes
- Genre
- Tech House
- Loudness
- -11.3 dB
- ISRC
- DEQT51300019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Teardrop - Original Mixoriginal8A · 124
- Teardrop - Nina Divorce Remixremix3B · 123
- Teardrop - Project 24 Remixremix8A · 83
- Teardrop - Reworkremix10B · 124
Against the original (8A at 124 BPM), this version runs 1 BPM faster and moves the key from 8A to 8B.
At 125 BPM in C major (8B), Teardrop - Patty Kay Remix is a club-tempo tech house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue.
- Brightness:
- brighter than 89% of Tim Engelhardt's catalogue
- Groove:
- groovier than 79% of Tim Engelhardt's catalogue
- Tempo:
- faster than 78% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Teardrop - Patty Kay Remix in?
Teardrop - Patty Kay Remix by Tim Engelhardt is in C major, or 8B on the Camelot wheel.
What BPM is Teardrop - Patty Kay Remix?
Teardrop - Patty Kay Remix runs at 125 BPM, a club-tempo track.
What mixes well with Teardrop - Patty Kay Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Teardrop - Patty Kay Remix good for peak time?
With energy 55 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
