Beaches - Original Mix
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 56/100
- Pop
- 0/100
- Length
- 8:33
- Released
- 2007
- Album
- Myspace
- Genre
- Tech House
- Loudness
- -17.9 dB
- Dynamics
- 14.1 dB
- ISRC
- CH7530700008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beachesoriginal10A · 125
Beaches - Original Mix: club-tempo tech house, B minor (10A), 125 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. Darker than 99% of Guy Gerber's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Guy Gerber's catalogue
- Low end:
- more bass-heavy than 92% of Guy Gerber's catalogue
- Groove:
- groovier than 85% of Guy Gerber's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Beaches - Original Mix in?
Beaches - Original Mix by Guy Gerber is in B minor, or 10A on the Camelot wheel.
What BPM is Beaches - Original Mix?
Beaches - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Beaches - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Beaches - Original Mix good for peak time?
With energy 56 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Guy Gerber
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
