Touch Of Love
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 30/100
- Length
- 3:09
- Released
- 2025
- Genre
- Tech House
- Loudness
- -5.9 dB
- Dynamics
- 13.1 dB
- ISRC
- NLHR22500604
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Touch Of Love is a club-tempo tech house track in E minor (9A) at 125 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 95% of Tim Engelhardt's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 94% of Tim Engelhardt's catalogue
- Low end:
- more treble-tilted than 91% of Tim Engelhardt's catalogue
- Brightness:
- brighter than 90% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Touch Of Love in?
Touch Of Love by Tim Engelhardt is in E minor, or 9A on the Camelot wheel.
What BPM is Touch Of Love?
Touch Of Love runs at 125 BPM, a club-tempo track.
What mixes well with Touch Of Love?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Touch Of Love good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
