Do That Bass - Max Bett, Meleshkin Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:09
- Released
- 2015
- Album
- Do That Bass
- Genre
- Techno
- Loudness
- -7.7 dB
- Dynamics
- 10.2 dB
- ISRC
- ITDN11400007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Do That Bassoriginal10B · 126
Against the original (10B at 126 BPM), this version runs 1 BPM slower and moves the key from 10B to 3A.
Do That Bass - Max Bett, Meleshkin Remix runs 125 BPM in B♭ minor (3A), a club-tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Nihil Young's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 82% of Nihil Young's catalogue
- Energy:
- hotter than 78% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Do That Bass - Max Bett, Meleshkin Remix in?
Do That Bass - Max Bett, Meleshkin Remix by Nihil Young is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Do That Bass - Max Bett, Meleshkin Remix?
Do That Bass - Max Bett, Meleshkin Remix runs at 125 BPM, a club-tempo track.
What mixes well with Do That Bass - Max Bett, Meleshkin Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Do That Bass - Max Bett, Meleshkin Remix good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Nihil Young
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
