Holywell - Original Mix
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 11:18
- Released
- 2016
- Album
- Flat 1 EP
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 10.9 dB
- ISRC
- UK6GD1600006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Holywell - Original Mix sits in D♭ major (3B) at 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Seb Zito's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 89% of Seb Zito's catalogue
- Brightness:
- darker than 86% of Seb Zito's catalogue
- Low end:
- more bass-heavy than 83% of Seb Zito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Holywell - Original Mix in?
Holywell - Original Mix by Seb Zito is in D♭ major, or 3B on the Camelot wheel.
What BPM is Holywell - Original Mix?
Holywell - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Holywell - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Holywell - Original Mix good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Seb Zito
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
