Quintal - Emanuel Satie, Tim Engelhardt Remix
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 92/100
- Pop
- 22/100
- Length
- 3:37
- Released
- 2024
- Album
- Quintal (Emanuel Satie, Tim Engelhardt Remix)
- Genre
- Tech House
- Loudness
- -7.3 dB
- Dynamics
- 11.7 dB
- ISRC
- QM6P42494486
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Quintal - Emanuel Satie, Tim Engelhardt Remix: club-tempo tech house, A♭ minor (1A), 125 BPM. It reads as dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 95% of Tim Engelhardt's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 88% of Tim Engelhardt's catalogue
- Low end:
- more treble-tilted than 82% of Tim Engelhardt's catalogue
- Tempo:
- faster than 78% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Quintal - Emanuel Satie, Tim Engelhardt Remix in?
Quintal - Emanuel Satie, Tim Engelhardt Remix by Tim Engelhardt is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Quintal - Emanuel Satie, Tim Engelhardt Remix?
Quintal - Emanuel Satie, Tim Engelhardt Remix runs at 125 BPM, a club-tempo track.
What mixes well with Quintal - Emanuel Satie, Tim Engelhardt Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Quintal - Emanuel Satie, Tim Engelhardt Remix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
