When The Light Fades - Tom Zeta Remix
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 91/100
- Pop
- 9/100
- Length
- 3:56
- Released
- 2020
- Album
- This Is Not Our Universe (The Remixes)
- Genre
- Progressive Trance
- Label
- Anjunabeats
- Loudness
- -9.4 dB
- Dynamics
- 8.9 dB
- ISRC
- GBEWA1905471
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- When The Light Fadesoriginal9B · 125
- When the Light Fades (extended mix)version8A · 125
Against the original (9B at 125 BPM), this version holds the same tempo and moves the key from 9B to 8A.
A club-tempo progressive trance cut, When The Light Fades - Tom Zeta Remix sits in A minor (8A) at 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 95% of Tinlicker's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 90% of Tinlicker's catalogue
- Low end:
- more bass-heavy than 84% of Tinlicker's catalogue
- Energy:
- hotter than 78% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is When The Light Fades - Tom Zeta Remix in?
When The Light Fades - Tom Zeta Remix by Tinlicker is in A minor, or 8A on the Camelot wheel.
What BPM is When The Light Fades - Tom Zeta Remix?
When The Light Fades - Tom Zeta Remix runs at 125 BPM, a club-tempo track.
What mixes well with When The Light Fades - Tom Zeta Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is When The Light Fades - Tom Zeta Remix good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive trance
More from Tinlicker
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
