God in You
30s preview
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 96/100
- Pop
- 44/100
- Length
- 5:38
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -6.4 dB
- Dynamics
- 9.7 dB
- ISRC
- GBENL2504583
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
God in You: peak-time tempo progressive house, C minor (5A), 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 94% of Tinlicker's catalogue.
- Reach:
- better known than 94% of Tinlicker's catalogue
- Tempo:
- faster than 91% of Tinlicker's catalogue
- Groove:
- less groove-driven than 85% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is God in You in?
God in You by Tinlicker is in C minor, or 5A on the Camelot wheel.
What BPM is God in You?
God in You runs at 128 BPM, a peak-time tempo track.
What mixes well with God in You?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is God in You good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Cirrus [2/3] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
More progressive house
![Niton [The Reason] - Instrumental Edit by Eric Prydz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1fb459090baf872983f7.webp){kind=small}
More from Tinlicker
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
