Must Be The Love - Simon Doty Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 42/100
- Length
- 3:38
- Released
- 2025
- Album
- Must Be The Love (Simon Doty Remix)
- Genre
- Progressive House
- Loudness
- -6.9 dB
- Dynamics
- 10.4 dB
- ISRC
- NLF712500346
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Must Be The Love - Simon Doty Remix: peak-time tempo progressive house, D♭ major (3B), 128 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 99% of Simon Doty's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 99% of Simon Doty's catalogue
- Tempo:
- faster than 91% of Simon Doty's catalogue
- Energy:
- hotter than 86% of Simon Doty's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Must Be The Love - Simon Doty Remix in?
Must Be The Love - Simon Doty Remix by Simon Doty is in D♭ major, or 3B on the Camelot wheel.
What BPM is Must Be The Love - Simon Doty Remix?
Must Be The Love - Simon Doty Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Must Be The Love - Simon Doty Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Must Be The Love - Simon Doty Remix good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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