Heaven Scent - Remastered
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 13/100
- Length
- 3:11
- Released
- 2025
- Album
- Heaven Scent Remixes, Pt. 2
- Genre
- Progressive House
- Loudness
- -6.8 dB
- Dynamics
- 11.5 dB
- ISRC
- GBEPM2502147
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heaven Scent - Marsh Remixremix6A · 128
- Heaven Scentoriginal6A · 135
- Heaven Scent - 8Kays Remixremix9B · 128
- Heaven Scent - Rodriguez Jr. Remixremix6A · 128
- Heaven Scent - Greg Downey remixremix9B · 135
- Heaven Scent - Nick Muir, Fallen Angel Remixremix8B · 124
At 128 BPM in B♭ minor (3A), Heaven Scent - Remastered is a peak-time tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 93% of John Digweed's catalogue.
- Brightness:
- brighter than 90% of John Digweed's catalogue
- Groove:
- less groove-driven than 83% of John Digweed's catalogue
- Reach:
- better known than 76% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Heaven Scent - Remastered in?
Heaven Scent - Remastered by John Digweed is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Heaven Scent - Remastered?
Heaven Scent - Remastered runs at 128 BPM, a peak-time tempo track.
What mixes well with Heaven Scent - Remastered?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Heaven Scent - Remastered good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Cirrus [2/3] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Moving [edit] by Eli Brown cover art](https://i.scdn.co/image/ab67616d00001e026bbeb8abda6f225a704465f9){kind=small}
