Lynx by Maddix cover art

Lynx

Maddix

30s preview

Key
3B · D♭ major
BPM
128
Open Key
8d
Energy
96/100
Pop
0/100
Length
3:04
Released
2016
Genre
Electro House
Loudness
-4.4 dB
Dynamics
14.2 dB
ISRC
NLS241601887

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in D♭ major (3B), Lynx is a peak-time tempo electro house production. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. More underground than 99% of Maddix's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 95% of Maddix's catalogue
Low end:
more treble-tilted than 92% of Maddix's catalogue
Brightness:
brighter than 76% of Maddix's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood30Dark
Groove60
Acoustic0
Instrumental3
Live16
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Lynx in?

Lynx by Maddix is in D♭ major, or 3B on the Camelot wheel.

What BPM is Lynx?

Lynx runs at 128 BPM, a peak-time tempo track.

What mixes well with Lynx?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Lynx good for peak time?

With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More electro house

More from Maddix

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track