Ohh Shhh - Club Mix
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 96/100
- Pop
- 5/100
- Length
- 5:12
- Released
- 2013
- Album
- Ohh Shhh
- Genre
- House
- Loudness
- -5.1 dB
- Dynamics
- 12.7 dB
- ISRC
- USUS11201293
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ohh Shhh - Clean Mixoriginal8B · 128
Against the original (8B at 128 BPM), this version holds the same tempo in the same key.
A peak-time tempo house cut, Ohh Shhh - Club Mix sits in C major (8B) at 128 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Hotter than 90% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 81% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Ohh Shhh - Club Mix in?
Ohh Shhh - Club Mix by Chris Lake is in C major, or 8B on the Camelot wheel.
What BPM is Ohh Shhh - Club Mix?
Ohh Shhh - Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Ohh Shhh - Club Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Ohh Shhh - Club Mix good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Extended Mix by James Hype cover art](https://i.scdn.co/image/ab67616d00001e0273ad330a49b697de19118f71){kind=small}
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
