
Somebody
30s preview
- Key
- 8B · C major
- BPM
- 130
- Open Key
- 1d
- Energy
- 63/100
- Pop
- 59/100
- Length
- 2:34
- Released
- 2024
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 10.5 dB
- ISRC
- GBUM72311281
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Somebody sits in C major (8B) at 130 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Chris Lake's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 95% of Chris Lake's catalogue
- Low end:
- more bass-heavy than 91% of Chris Lake's catalogue
- Groove:
- groovier than 89% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Somebody in?
Somebody by Chris Lake is in C major, or 8B on the Camelot wheel.
What BPM is Somebody?
Somebody runs at 130 BPM, a peak-time tempo track.
What mixes well with Somebody?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Somebody good for peak time?
With energy 63 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.