Seduction feat. Emika - Deuce Remix
30s preview
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 6:58
- Released
- 2014
- Album
- Seduction
- Genre
- Techno
- Loudness
- -16.2 dB
- Dynamics
- 10.7 dB
- ISRC
- DELG71400608
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Seduction feat. Emika - Anthony Parasole Remixremix11B · 130
- Seduction feat. Emika - Ryan Elliott Remixremix3B · 130
- Seduction feat. Emika - Short Versionoriginal10A · 130
Against the original (10A at 130 BPM), this version holds the same tempo and moves the key from 10A to 8A.
At 130 BPM in A minor (8A), Seduction feat. Emika - Deuce Remix is a peak-time tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Marcel Dettmann's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 96% of Marcel Dettmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Seduction feat. Emika - Deuce Remix in?
Seduction feat. Emika - Deuce Remix by Marcel Dettmann is in A minor, or 8A on the Camelot wheel.
What BPM is Seduction feat. Emika - Deuce Remix?
Seduction feat. Emika - Deuce Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Seduction feat. Emika - Deuce Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Seduction feat. Emika - Deuce Remix good for peak time?
With energy 67 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marcel Dettmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
