Satellite (feat. Trans Voices)
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 67/100
- Pop
- 42/100
- Length
- 4:25
- Released
- 2025
- Album
- Satellite
- Genre
- Ambient
- Loudness
- -12.6 dB
- Dynamics
- 11.2 dB
- ISRC
- GBR8R2500049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 130 BPM in D major (10B), Satellite (feat. Trans Voices) is a peak-time tempo ambient production. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 92% of Jon Hopkins's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 90% of Jon Hopkins's catalogue
- Low end:
- more bass-heavy than 89% of Jon Hopkins's catalogue
- Energy:
- hotter than 82% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Satellite (feat. Trans Voices) in?
Satellite (feat. Trans Voices) by Jon Hopkins is in D major, or 10B on the Camelot wheel.
What BPM is Satellite (feat. Trans Voices)?
Satellite (feat. Trans Voices) runs at 130 BPM, a peak-time tempo track.
What mixes well with Satellite (feat. Trans Voices)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Satellite (feat. Trans Voices) good for peak time?
With energy 67 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More ambient
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
