Tayos Caves, Ecuador i
30s preview
- BPM
- 92
- Double-time
- 184
- Open Key
- 4m
- Energy
- 20/100
- Pop
- 50/100
- Length
- 6:16
- Released
- 2021
- Genre
- Ambient
- Loudness
- -23.5 dB
- Dynamics
- 13.6 dB
- ISRC
- GBCEL2100339
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo ambient cut, Tayos Caves, Ecuador i sits in F♯ minor (11A) at 92 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 98% of Jon Hopkins's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 93% of Jon Hopkins's catalogue
- Low end:
- more treble-tilted than 91% of Jon Hopkins's catalogue
- Brightness:
- darker than 88% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Tayos Caves, Ecuador i in?
Tayos Caves, Ecuador i by Jon Hopkins is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Tayos Caves, Ecuador i?
Tayos Caves, Ecuador i runs at 92 BPM, a slow-groove tempo track.
What mixes well with Tayos Caves, Ecuador i?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Tayos Caves, Ecuador i good for peak time?
With energy 20 out of 100 at 92 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 92 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More ambient
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
