Love Flows Over Us in Prismatic Waves
30s preview
- Key
- 7B · F major
- BPM
- 130
- Open Key
- 12d
- Energy
- 27/100
- Pop
- 47/100
- Length
- 6:53
- Released
- 2021
- Genre
- Ambient
- Loudness
- -22.3 dB
- Dynamics
- 11.7 dB
- ISRC
- GBCEL2100342
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo ambient cut, Love Flows Over Us in Prismatic Waves sits in F major (7B) at 130 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 94% of Jon Hopkins's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 76% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Love Flows Over Us in Prismatic Waves in?
Love Flows Over Us in Prismatic Waves by Jon Hopkins is in F major, or 7B on the Camelot wheel.
What BPM is Love Flows Over Us in Prismatic Waves?
Love Flows Over Us in Prismatic Waves runs at 130 BPM, a peak-time tempo track.
What mixes well with Love Flows Over Us in Prismatic Waves?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Love Flows Over Us in Prismatic Waves good for peak time?
With energy 27 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 130 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More ambient
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
