Welcome
30s preview
- BPM
- 139
- Open Key
- 11d
- Energy
- 23/100
- Pop
- 48/100
- Length
- 6:23
- Released
- 2021
- Genre
- Electro
- Loudness
- -16.2 dB
- Dynamics
- 15.6 dB
- ISRC
- GBCEL2100338
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Welcome: driving up-tempo electro, B♭ major (6B), 139 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Better known than 96% of Jon Hopkins's catalogue.
- Brightness:
- darker than 88% of Jon Hopkins's catalogue
- Groove:
- less groove-driven than 86% of Jon Hopkins's catalogue
- Tempo:
- faster than 83% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Welcome in?
Welcome by Jon Hopkins is in B♭ major, or 6B on the Camelot wheel.
What BPM is Welcome?
Welcome runs at 139 BPM, a driving up-tempo track.
What mixes well with Welcome?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Welcome good for peak time?
With energy 23 out of 100 at 139 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 139 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More electro
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
