Underwater by Jon Hopkins cover art

Underwater

Jon Hopkins

Key
8B · C major
BPM
68
Double-time
136
Open Key
1d
Energy
36/100
Pop
12/100
Length
2:01
Released
2010
Genre
Electro
Loudness
-17.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Underwater runs 68 BPM in C major (8B), an electro record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Slower than 93% of Jon Hopkins's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
less groove-driven than 79% of Jon Hopkins's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood5Dark
Groove17
Acoustic30
Instrumental90
Live11
Speech7
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Underwater in?

Underwater by Jon Hopkins is in C major, or 8B on the Camelot wheel.

What BPM is Underwater?

Underwater runs at 68 BPM.

What mixes well with Underwater?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Underwater good for peak time?

With energy 36 out of 100 at 68 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 68 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 64-72 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 68 — beatmatch without a big tempo pull.

More electro

#Track

More from Jon Hopkins

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 68 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track