Something Invisible
30s preview
- BPM
- 69
- Double-time
- 138
- Open Key
- 8d
- Energy
- 16/100
- Pop
- 1/100
- Length
- 1:52
- Released
- 2018
- Genre
- Techno
- Loudness
- -19.2 dB
- Dynamics
- 11.7 dB
- ISRC
- DELG71400999
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Something Invisible: techno, D♭ major (3B), 69 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Calmer than 99% of Terence Fixmer's catalogue.
- Tempo:
- slower than 99% of Terence Fixmer's catalogue
- Brightness:
- darker than 99% of Terence Fixmer's catalogue
- Groove:
- less groove-driven than 98% of Terence Fixmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Something Invisible in?
Something Invisible by Terence Fixmer is in D♭ major, or 3B on the Camelot wheel.
What BPM is Something Invisible?
Something Invisible runs at 69 BPM.
What mixes well with Something Invisible?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Something Invisible good for peak time?
With energy 16 out of 100 at 69 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 69 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 65-73 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 69 — beatmatch without a big tempo pull.
More techno
More from Terence Fixmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 69 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
