Transform
- BPM
- 139
- Open Key
- 4d
- Energy
- 16/100
- Pop
- 0/100
- Length
- 1:59
- Released
- 2016
- Album
- Cipher
- Genre
- Techno
- Loudness
- -19.7 dB
- ISRC
- DECH61500164
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Transform sits in A major (11B) at 139 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Calmer than 99% of Setaoc Mass's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Setaoc Mass's catalogue
- Brightness:
- darker than 99% of Setaoc Mass's catalogue
- Reach:
- more underground than 99% of Setaoc Mass's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Transform in?
Transform by Setaoc Mass is in A major, or 11B on the Camelot wheel.
What BPM is Transform?
Transform runs at 139 BPM, a driving up-tempo track.
What mixes well with Transform?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Transform good for peak time?
With energy 16 out of 100 at 139 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 139 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More techno
More from Setaoc Mass
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
