Seeing Clear
- BPM
- 142
- Half-time
- 71
- Open Key
- 3m
- Energy
- 83/100
- Pop
- 21/100
- Length
- 5:58
- Released
- 2024
- Genre
- Techno
- Loudness
- -10.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Seeing Clear sits in B minor (10A) at 142 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Better known than 95% of Setaoc Mass's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 89% of Setaoc Mass's catalogue
- Groove:
- groovier than 79% of Setaoc Mass's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Seeing Clear in?
Seeing Clear by Setaoc Mass is in B minor, or 10A on the Camelot wheel.
What BPM is Seeing Clear?
Seeing Clear runs at 142 BPM, a driving up-tempo track.
What mixes well with Seeing Clear?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Seeing Clear good for peak time?
With energy 83 out of 100 at 142 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Setaoc Mass
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
