Sweat by Estella Boersma cover art

30s preview

Key
8A · A minor
BPM
142
Half-time
71
Open Key
1m
Energy
87/100
Pop
26/100
Length
4:59
Released
2023
Genre
Techno
Loudness
-6.6 dB
Dynamics
9.8 dB
ISRC
UK34N1800722

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Sweat sits in A minor (8A) at 142 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 95% of Estella Boersma's catalogue.

Brightness:
darker than 92% of Estella Boersma's catalogue
Reach:
better known than 87% of Estella Boersma's catalogue
Low end:
more bass-heavy than 84% of Estella Boersma's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood6Dark
Groove75
Acoustic0
Instrumental81
Live8
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Sweat in?

Sweat by Estella Boersma is in A minor, or 8A on the Camelot wheel.

What BPM is Sweat?

Sweat runs at 142 BPM, a driving up-tempo track.

What mixes well with Sweat?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Sweat good for peak time?

With energy 87 out of 100 at 142 BPM, it works best as a floor-filler.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 142 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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