CHROMA 011 A.L.O.E II
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 4m
- Energy
- 89/100
- Pop
- 33/100
- Length
- 5:43
- Released
- 2025
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 9.5 dB
- ISRC
- GBCFB2500252
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
CHROMA 011 A.L.O.E II is a driving up-tempo house track in F♯ minor (11A) at 142 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 91% of Bicep's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 81% of Bicep's catalogue
- Reach:
- better known than 80% of Bicep's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is CHROMA 011 A.L.O.E II in?
CHROMA 011 A.L.O.E II by Bicep is in F♯ minor, or 11A on the Camelot wheel.
What BPM is CHROMA 011 A.L.O.E II?
CHROMA 011 A.L.O.E II runs at 142 BPM, a driving up-tempo track.
What mixes well with CHROMA 011 A.L.O.E II?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is CHROMA 011 A.L.O.E II good for peak time?
With energy 89 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 142 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More house
More from Bicep
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
