CHROMA 002 L.A.V.A by Bicep cover art

CHROMA 002 L.A.V.A

Bicep

30s preview

Key
11A · F♯ minor
BPM
144
Half-time
72
Open Key
4m
Energy
98/100
Pop
50/100
Length
4:10
Released
2024
Genre
House
Loudness
-5.9 dB
Dynamics
9.1 dB
ISRC
GBCFB2300636

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

CHROMA 002 L.A.V.A runs 144 BPM in F♯ minor (11A), a driving up-tempo house record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Bicep's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 93% of Bicep's catalogue
Energy:
hotter than 92% of Bicep's catalogue
Brightness:
darker than 86% of Bicep's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood8Dark
Groove59
Acoustic0
Instrumental71
Live33
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is CHROMA 002 L.A.V.A in?

CHROMA 002 L.A.V.A by Bicep is in F♯ minor, or 11A on the Camelot wheel.

What BPM is CHROMA 002 L.A.V.A?

CHROMA 002 L.A.V.A runs at 144 BPM, a driving up-tempo track.

What mixes well with CHROMA 002 L.A.V.A?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is CHROMA 002 L.A.V.A good for peak time?

With energy 98 out of 100 at 144 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 144 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 144 — beatmatch without a big tempo pull.

#Track

More house

#Track

More from Bicep

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track